It's Too Hot!

It is simply too hot for writing in-depth music analyses today, so Part 2 of our Pop Music Fantasy Draft will be posted tomorrow.  In the meantime, here's a "hot" picture of an honorable mention from Part 1- Shakira!

Pop Music "Fantasy Draft," Part 1- The Ladies!

Yesterday I promised you an epic new post would be coming soon.  Well, here it is.  Here's a quick reminder of the premise:

You are a record exec and you have to sign two artists this year- one male solo artist and one female solo artist.  Any and all acts are potential “free agents” who could be signed.  Who do you pick and why?  Rank your top ten choices for each gender from 10-1.

 Today I present part one- the ladies.  Check back tomorrow for the guys' list, and feel free to comment and disagree with me vehemently.

10. Jennifer Lopez

     

Part of the original “Big Three” of late-90s bubblegum pop, J-Lo has proven herself to have lots of staying power, continuing to chart with both Spanish and English-language hits throughout the past decade.  The massive success she had with her most recent hit, “On The Floor,” makes me believe she still has a couple of years left in her.  But she is now on the “wrong” side of 40, which means she would be far from my number one spot.

9. Nicki Minaj

After toiling for years appearing on a seemingly endless number of obscure hip-hop remixes, Nicki Minaj is finally reaching her moment in the sun.  At this point, every music fan in America knows who she is, and many think she is the best female rapper in the game, if not the best overall.  She also finally has a Top 10 hit under her belt with “Super Bass” and a successful album in Pink Friday.  However, despite a lot of potential, it remains to be seen just how bankable Minaj really is, so I would still consider her a bit more of a “prospect” than a certifiable superstar.  This is a risky pick but one with a lot of upside.

8. Britney Spears

A lot of things have been said about Britney Spears (some of them very frightening) but one thing that cannot be denied is her impact on pop culture and her continued ability to make hit records.  She may be a bit over the hill in terms of sex appeal, but if you think about it she’s actually a surprisingly safe bet to make some money because no matter how bad her product is, lots of people will still buy it just because it says Britney Spears.  This is of course ignoring all the people who would never buy it for the exact same reason, but those people aren’t the point of this premise anyway.

7. Ke$ha

Can Ke$ha really sell millions of albums?  Probably not.  Can Ke$ha really sell out stadiums?  After seeing her on “Saturday NightLive,” almost definitely not.  But can Ke$ha sell untold boatloads of singles?  Absolutely.  She has already (her first six singles have reached the top 10) and thus it holds that she can continue to do so.  And in today’s singles-driven music industry, that’s often all you need to be a successful artist.  So, I have no doubt that Ke$ha would be a very valuable artist to have on your label, although she’s not as well-rounded as some of the ladies higher up on the list.

6. Adele

After the absolutely stunning runaway success of Adele’s sophomore album 21, and its lead single “Rolling in the Deep,” you would think she would be even higher up on this list.  And I admit I thought about it, given how well she’s done.  But I just can’t justify putting her any higher because she hasn’t proven that she can sell concert tickets, or that she can have another single anywhere near as successful as “Rolling in the Deep,” at least in the U.S.  And without those things, she lacks the bankability that the truly top stars have.  So she’s a bit like Nicki Minaj in that she could someday be at the top of this list, but for right now I have to see her as a bit more of an up-and-comer based on lack of evidence.  Which hurts, because she’s certainly the most talented vocalist on the list, but that’s just the way it goes sometimes.

5. Beyoncé

Since leaving Destiny’s Child almost a decade ago, Beyonce has produced a steady stream of hits and become an African-American icon.  She has sold 75 million records as a solo artist and earned hundreds of millions on tours.  She is absolutely rock-solid.  However it’s worth mentioning that her fourth solo album, appropriately titled 4, has not performed nearly as well as her first three to this point.  Because of this, she comes in at number five, although at age 29 she should have another good decade ahead of her.  But it would be hard for her to top her first decade as a solo performer, so I can really only see her downslide from here.

4. Lady Gaga

Right off the bat it has to be pointed out that Gaga’s latest album, Born This Way, is a warning sign.  Sure it sold phenomenally well in its first week, and its title track spent six weeks at #1.  But the album has not proven to have the staying power that Gaga’s first album, The Fame, did.  But while this drop-off can’t be ignored, neither can the jaw-dropping and historic figures of her first tour.  And with the fanaticism shown by her legions of fans, and her icon status within the LGBT community, Lady Gaga is an industry presence you absolutely want on your side.

3. Katy Perry

Katy Perry has spent over 14 consecutive months in the top 10 of the Billboard Hot 100.  Her sophomore album, Teenage Dream, has exceeded all expectations and produced four #1 singles and a fifth currently peaking at #3.  There is no doubt that if it’s hugely successful singles that you want, you go out and get Katy Perry for your record label.  There’s nobody better than her right now.  Both of her albums have gone 5x platinum as well, so she clearly has some depth.  But again, I have to consider the future here, and I feel like Katy Perry is peaking right now, and it’s all downhill from here.  Certainly her upcoming tour will be a profit bonanza, but after that, does she have another standout album left in her, or will her act get stale?  Ultimately her future may not be as bright as the top two ladies on the list.

2. Taylor Swift

Here are the basics: Taylor Swift is the top-selling digital artist in music history, has sold over 20 million albums worldwide, has had 9 Top 10 hits, and is a role model to millions of teenage girls around the world.  Yet she’s never had a number one hit, and she’s only 21 years old!  What amazes me the most about T-Swift is how well she’s handled going from a teenager to a young woman, both in her personal life and musically.  She seems to be the real deal- no scandal, no changes in genre, just top-notch songwriting and authentic musical talent.  And she basically prints money.  I have zero doubt that she will continue to be a superstar for at least the next decade.  The only thing holding her back from the number one spot is the relative lack of diversity of her fanbase.  First, many guys can’t stand her (although there are many that love her as well).  Also, let’s face it, blacks and Hispanics don’t like country or occasionally-corny pop songs.  Maybe that doesn’t matter, but just for argument’s sake, I say you need to take someone who can truly appeal to just about everyone.

1. Rihanna

Rihanna is the youngest artist to ever reach ten Number 1 hits on the Billboard Hot 100.  She has already released five albums that have combined to sell over 20 million albums worldwide, and she’s only 23.  These numbers are staggering, but by themselves do they warrant a number one ranking?  I don’t think so.  Luckily, there are some other reasons why Rihanna deserves to be chosen.  Yes, she tours well and can guarantee you lots of money that way, but more importantly she has proven already to be remarkably versatile musically.  Rihanna doesn’t write her own material, and that makes her extremely malleable.  Giver her reggae-dancehall pop and she’ll make it great, give her midtempo R&B and she’ll sell that, and as we’ve seen recently, give her an island-flavored house beat and she’ll make it legendary.  No matter what type of music is popular in the next decade, you can bet that Rihanna’s take on it will hit #1.  Because of that versatility, she has to be my top female choice.

Epic New Post Coming Soon!

OK in the next day or two I'll have a very detailed post up.  Here is the premise:

You are a record exec and you have to sign two artists this year- one male solo artist and one female solo artist.  Any and all acts are potential “free agents” who could be signed.  Who do you pick and why?  Rank your top ten choices for each gender from 10-1.

In other words, who are the most appealing acts out there, who are the most bankable, surefire profit-makers?  I've got my ten for both genders and now I just have to rank them.  Check back soon for the results!

A Bunch of Hot Dance Tracks You NEED To Hear

 
So typically (or as typically as possible for a blog with about five posts) I've focused on purely Top 40 songs.  But enough great dance/house/whatever-they-insist-on-calling-it-these-days tracks have come out recently that they deserve their own post.

What I would love is for someone to find me a common thread in all of these songs so I can weed out more of the crap from the world of dance music and focus on the standouts like these.  Pandora and all those other bullshit sites suck at that.

If you don't click on each of these links you're missing out (make sure to click "open in new tab" or else it'll take you away from my wonderful blog!):

WITH VOCALS:

Sultan & Ned Shepard feat. Nadia Ali - Call My Name (Spencer & Hill Remix) :

Medina - Addiction:

Nadia Ali "Rapture" (Avicii New Generation Mix) :

September - Heat Rising

Bob Sinclar - I Feel For You (Anthony Ross/Lazy Rich Mix)

Kaskade & Adam K feat. Sunsun - Raining

Avicii - Silhouettes

INSTRUMENTAL:

Wolfgang Gartner - Illmerica

Avicii - Levels

"New" Eminem Song Would Have Made The "Best of 2011" List If I Had Known About It...

Yes this is off Recovery, which is over a year old now, but the video was just released the other day so it counts as a "new" single.  Very strange to me that one of the best guest hooks of the year goes uncredited.  Also the video, although it bears more than a passing resemblance to "Love The Way You Lie" and some of Em's other videos, is still pretty powerful.  All in all this has to be my favorite Eminem song in quite a while.

And how about Sasha Grey getting the starring role?  It amazes me that someone can go from starring in "Dirty Anal Sluts 11" (paraphrasing obviously) in 2009 to "Entourage" in 2010 and Eminem videos in 2011.  She must have a hell of an agent.

Well This Is An Upgrade

So now I realize you can embed videos in a blog post instead of making people click on the link.  Clearly I haven't put very much effort into learning how to use blogger.  If I feel like taking the time to utilize this, maybe I'll go back and fix the last post.  But either way I'll do it this way in the future.

Top 10 Best Pop Songs of 2011- So Far!*

    Well, the sixth month of 2011 has almost come to a close, which means the year is basically halfway over (if my math is correct).  And that means it’s time to look at my completely biased opinion on the best pop or Top 40 songs released to this point in 2011.  There is no real criteria to what was eligible for this list, only that the song was released in 2011 and either hit the charts or was performed by an artist that has charted this year.  That way, I actually get to choose my favorite songs!  Enjoy!
   Adele- “Set Fire To The Rain:” Everyone knows “Rolling in the Deep,” the lead single off Adele’s latest album, 21, but this is unquestionably the best song from the album.  This is the only track on the album where the instrumentation challenges Adele’s vocals for supremacy, and it works so well that it’s a mystery to me why more songs on 21 don’t sound like this.
    Blake Shelton- “Honey Bee:”  There isn’t too much to say about this simple country love song.  It’s just a pleasure to listen to, especially on a warm summer day.  So hopefully there will be many opportunities to listen to it in the next few months!
    Britney Spears ft. Ke$ha & Nicki Minaj- “Till The World Ends (Remix):” I could have easily put the more well-known Britney-only version of this song on the list, but this version is much, much better.  Nicki Minaj adds a nice set-up verse, then Ke$ha, the song’s writer, enters with her take on the chorus.  To be honest, if I were a record exec, I would have just given this song to Ke$ha, but either way it’s one of the year’s best party jams.
    Chris Brown ft. Benny Benassi- “Beautiful People:” Although this song has yet to be released as a single (no idea why), it has taken hold in my mind as the single catchiest song of 2011 thus far.  My predictions are rarely right, but look for this to be a late-summer addition to radio rotations.  I can’t see it being a bust.
    Chris Brown ft. Busta Rhymes & Lil Wayne- “Look At Me Now:”  Hard to believe former teen-heartthrob Chris Brown has released the best mainstream rap song of 2011 to this point, but it’s true.  Granted, Busta Rhymes and Lil’ Wayne completely carry the song, but it’s Brown who gets the main credit (and royalties, presumably) for the hardest-hitting lyrical whirlwind of the year so far.
    Kelly Rowland ft. Lil’ Wayne- “Motivation:”  Pretty much every song to this point in our Top 10 has been the best at something, and this one is no different: it’s far and away the best sexy R&B song of the year, and you don’t need to look any farther than its multiple star-studded remixes to see how hot it’s gotten in the R&B world.  Babies are undoubtedly being made to “Motivation” all over the world this summer.
    Lady Gaga- “You & I:” Lady Gaga’s latest album, Born This Way, was mostly a disappointment, coming up well short of The Fame Monster in terms of overall quality of its songs.  But this is the one track that stood head and shoulders above the rest.  It strikes me as sort of a countrified follow-up to the piano-ballad “Speechless,” my favorite song from The Fame Monster.  Once again, if it doesn’t get released as a single at some point, America will be missing out.
    Lupe Fiasco- “Beautiful Lasers:” A lot of people were bitterly disappointed with Lasers, the long-awaited and much-tampered-with most recent album from Lupe Fiasco.  It certainly had its share of radio-ready hip-pop, and a dearth of the  politically-minded lyrics Fiasco’s fans have come to expect.  But naturally, I had the exact opposite reaction: I loved all the lush beats and Auto-Tuned choruses of Lasers, exemplified by the urgent-sounding “Beautiful Lasers.”
    Lupe Fiasco- “Coming Up:” Once again, the production value here is almost perfect.  Lupe’s flow sounds as good as it ever has on “Coming Up” and the up-and-coming singer MDMA delivers a perfectly crafted chorus to put the whole thing together.  This is just pure toe-tapping music, and there’s nothing better.  Once again, it ought to be released as a single sometime soon.
    The Script- “For The First Time:”  Power-pop piano ballads have long left me defenseless, and this one is no exception.  It happens to also incorporate my other weakness, a soaring, wordless hook, and thus it makes an appearance in the Top 10 of 2011 so far.   
     So there you have it.  I wonder what the second half of 2011 will hold?  Will any of these songs reach the year-end Top 20 list?  I hope the next six months are so awesome that none of them do, but we’ll just have to wait and see…

*Songs listed in alphabetical order, in case you're a dumbass and didn't figure that out until just now.